Much of the subject matter regarding religion in early Africa seems alien to someone living in the modern Western world. Everything has its own explanation and cause in nature. We still fear things like the flu, earthquakes, or illnesses, but we know now that they have natural rather than supernatural causes. People acting strangely are the result of malicious spirits, our ancestors live somewhere beyond our own shores and the gods must frequently be placated to keep them happy. It was a fundamentally different worldview than what the West believes today.
I grew up in household where the kids learned to sleep through the rock-and-roll music emanating from the basement. The music was courtesy of my father, civil engineer and rock guitarist in equal measures. He grew up listening to rock when it was still young, just a decade past the sixties. He is a product of those turbulent years that deeply and irrevocably changed our world. And likewise I am a product of my upbringing—my taste in music no exception. But is that all? Am I—and will I always be—only the product of the world I live in? Are we stuck in a cycle of self-interest and cynicism, doomed to repeat our own history?
She sat there, on her balcony, taking long smooth pulls of her blueberry cigarillo, letting the smoke rest in her mouth, savoring the sweetness before letting flow gently from her lips.
This issue is distinguished by the papers’ diversity in tackling different topics in areas such as culture, food, science, cinema, music, and arts. These papers highlight different topics that suit almost all audience trends and desires.
Images created in times of war reveal the tensions and fears ignited by the conflicts between nations. Close analysis shows that the attached World War II propaganda poster is one such image. This 1942 poster, titled This is the Enemy, circulated in the United States following the Japanese attack on Pearl Harbor. Its purpose was to embody the entire Japanese nation as a ruthless and animalistic enemy that needed to be defeated.
Vaudeville was an expressive, innovative, and quirky form of popular entertainment in America that spanned the turn of the twentieth century. Yet, vaudeville was more than mere entertainment for the American mass cultureit was a reflection of the rapidly changing waters of American life. In the era of vaudeville, from the early 1980s to the early 1930s, American enjoyed a time of unparalleled growth and urbanization, increasing diversity, and upward social mobility.