In “Chapter Six: The Monster” of Netflix’s Stranger Things, there’s the big reveal: Eleven, the daughter of Terry, a former subject in the Central Intelligence Agency’s Project MK-Ultra, was stolen—abducted—by “the big bad Man” to be used as a psychic…
Paige Lockard is originally from Kansas City and attended Lee’s Summit North High School. Now, she is majoring in both English literature and psychology, as well as studying French and business for minor degrees. Next year, she will be…
When discussing the reasoning behind the dialogue-driven plot in When Harry Met Sally (Rob Reiner, 1989), writer Nora Ephron explained that, “People who live in cities aren’t in car chases. We don’t get shot at. What we mainly do is…
Nathaniel McKee (First Winner)
Irish-American masculine identity has a nebulous and bloody history. Its development began in the 1840s in Ireland and has its roots in colonialism – a story that, in itself, could fill a book-shelf. Despite this challenge, Martin Scorsese does an admirable job of exploring this dynamic in his film The Departed.
Kathryn Bailey (Third Winner)
The Harlem Shake video trend began at the beginning of 2013 when YouTube user Filthy Frank uploaded a short video of himself and some friends gyrating to a dance track on January 30.
Dominated by brilliant dialogue, violence, and subtle criticisms of American culture, the Best Original Screenplay-winning film Pulp Fiction intertwined food to further each of these critical plot threads.
Images created in times of war reveal the tensions and fears ignited by the conflicts between nations. Close analysis shows that the attached World War II propaganda poster is one such image. This 1942 poster, titled This is the Enemy, circulated in the United States following the Japanese attack on Pearl Harbor. Its purpose was to embody the entire Japanese nation as a ruthless and animalistic enemy that needed to be defeated.